27 April 2013

aloneless



I woke up with a lot of you, and was most thrilled for Maggie Nelson and this copy of Bluets I had in my backpack, Kyle's, signed by the author, because what she'd read gives me the runs in my mind, and I was sitting there sweating in the corner of this strange room while she stood in the brights behind the orange & blue podium framed by the tall gold pipes of an organ. I sweated & didn't look anywhere, she faced me. But seeing her wasn't anything. She had a slight lisp which carried me through more maybe. She mentioned the root of the word etched- to be eaten. Etched in my heart. & I was thinking of all the things we've said, I've said & written over & over, and the songs, what they say,

  you own me
   you have all of me
    you can have all of me
   you have my heart
  you have a hold around my heart

                    so do you have two hearts in your chest? is that what makes you so loveable? (delicious)

After she read friends addressed me and I averted eye contact and said I don't know. Are you coming to have drinks? I don't know. They looked surprised, offended. I walked through the back of the gallery. Collages of matchbooks. Giant plastic windmills. A cyanotype of a bike, I yawned. And I calmed to chill outside in the sunset, where everyone smokes, and it's a smokefree campus but everyone's a poet or an adult so I smoke too & start hugging the women I love, and can't talk about what I'm thinking how I'd like to crawl inside of her mind & live there & have her pet me and this just from a brief forty-five minute rainy brain hug. We went to the river, same place I was with you when we missed Alice Notley & Jeff Mangum but didn't miss each other, and I sat on your flat rock, and I had a beer and watched the light on the water & thought about how I could write anything or read anything and that I wanted to be a knowledge tampon and a thought sponge and I wanted to vomit up beauty & honesty. & I did become very honest. Don't touch me, I can't be touched right now, okay please touch me I am ready for you. It got dark & we rode to the same bougie bar where I'd have the same sazerac at a different table, & you wouldn't be there, but the weather would be nearly same as when you were. Someone offered to buy you a drink but didn't. Someone asked what I was drinking, Jim with a Greek surname, & when I asked him for his surname he looked at me like I was too classy a broad no maybe he looked at me like I was old fashioned (which is at this time, what I was drinking) or British or old or young or beautiful or wasted. I didn't get a free drink, because he only wanted to buy me a pbr
                    
                 he asked me what I did in school & I laughed, and he said, why does that make you laugh and then I felt like crying.

Outside on the cement fence in front of the hotel. He said Maggie Nelson, if she'd wanted to, could have turned everyone in the room to weeping. Can you imagine having that power? he cried. I told him if he ever got the power to make us weep everyday to let me know & I'd move in & stay by his side forever.

He told me he schemes for love. And I said you fall in love for six-six-hours-at-a-time. That you told me once no one can ever break your heart. He doesn't remember saying that... two people have crossed his threshold. Physical pain at their nearness. And I said, I know you love me, I know I'm important to you, but why is it that I'm always checking up after you & you rarely ask after me? & that you're so easily distracted? He said that he & you, most of you, are better at communicating through the written word... which is an of course, so why even ask
                      
       It was a full moon & I was honest. I would have told you anything, if there was anything you'd want to know, and some did, and some didn't. I like what is conversational, the meaningful ease of listening to a lisped voice in a muted microphone, she being available through her writing & words & explanations & interrupting herself and the moment her voice failed at her last sentence. I still like what I do & how I do it, the true it, and I do take a compliment that I am such a fucking beautiful person because to me it means my heart still pumps gorgeous in my chest, that I am a whole. But I must also forget the lovesong cliches & the notion of being inside of someone else, or losing my organs to another, of being eaten. I have doors & they're open so many of them in my house that the crossbreeze sometimes makes my hair stand on end.