a song for love in the new year

songs with women's names
the number 14
the light of the moon, near full
I avoid it!
 I don't avoid it
I avoid the urge to
my ring slipping round my finger,
  maria        laura        marlene

a train   choos

   10:53 pm, tomorrow
(this time of year, the nights fall longer)
so let your beard grow round your neck
and your torso
and past your new boots
and down my throat

make me toast

        read your fortune!
        little new-year son

I always have liked
the german pronunciation
for marlene

the soft lilt,
the forgiving!
                         (do you remember proclaiming
                           that you'd never love someone
                           that you'd never love someone explaining
                           that you'd never truly love someone
                              who's never caught exclaiming)

  oh, me!


       hello, little new-year babe
        hellow, last smoke of smokes
       hello, pretty whistle
     of pretty, nearby train
        hello, sleeping city-that-won't
                                        the oh-she-won't-quit place

                               dreamy babe,
                              I've never said this to anything
                            I've never been that guy
                              But I wanna die in You

      and, therefore
    thereby

    tinkle
         tinkle
               tinkle
                      little bell, ring
                                           ring
                                               ring in me
whistle past our bedscapes

cruelbod

the teens are sitting on the bleachers at the highschool
but they aren't teens, anymore, basically 30 now
kelly is arched back in a vermilion haltertop
and tad lays flat, looking at the stars.
she graduated from highschool
and comes & drinks rose on ice
on the bleachers
she does reverse cowgirl on the bleachers
tries to pee between steps
as latenight athletes run the track.
God, why aren't YOU running with them, she accuses tad
who exhales smoke
and sips rose, ice clinking in his plastic cuppy.
I know, right
kelly sat with brody
on the highschool bleachers
when she was pushing 30, a couple of augusts ago
she was wearing a white dress and a denim jacket
and brody was drinking a big beer
he was trying to convince her to just drive with him all night to nevada
so they could get married
she thought that sounded like fun
but they'd just met the day before
and she knew they'd get sick of each other halfway there.
she never sat on those bleachers when she was in highschool,
just after she moved begrudgingly back after years away
and it was only twice, and past midnight
with guys named tad and brody.
kelly only fucked brodys, now
she was done with seths and aarons and todds.
she is feeling pretty superior in her vermilion haltertop
she is looking good, teenlike
she tells tad about the jeremy she'd been harassing
and tad tells her, kindly, that she's been humiliating herself.
she is gleeful
she doesn't care, has nothing to lose
she claims a lack of cruel organs in her cinnamon bod.
but she's a liar,
and pathetic,
and she's alone in life and she's mean
so she smokes & she chugs
& she takes her shoes off and pees freely.
she's got those good strong outside peeing legs.
she says Whatever
I'm Me
never growing up
just justifying her moves
with evil eye glimmers
and secret, hopeful tears

sunday crowd

the sunday crowd at JO BEACH is suuuuper lame
they have their fullbred retrievers
who fetch consistently, barkless
get in get the ball repeat
BOR RING
they don't realize that I come here every single day,
that I get in the water
and I smoke smokes
and I drink cocktails
and I publish things I write on my phone to the internet.
they're sunday people, weekenders
they work all week & then come cut loose on a hot summer's day.
it just isn't right
I pull out the blankets and sleep through storms on my beach
I get naked at night
I makeout, here.
while they sleep, I stake my flag in the sand.
but they're easily scared away by the exaggerated sounds of orgasm while two girls struggle to open a bottle of soft huckleberry wine.
poof! it's our beach once more

worth it

I came back
   the same
but so filthy
I don't want to ever wash my hands again
I am a touched girl
I have a sunburn or a cinnamon tan or something
I held the hair at its roots
  oilcan hair
  make that face
given me a corduroy elbow
given me your smokes
given me a double-sided noose
your dirt hands
that good clean mouth
  make my stomach muscles pain warmly from laughing solid for two whole days
  get it
under that big moon... there is some kind of agoraphobialike condition
  where people freak at the airport
  when they see how fucking big the sky is
I freak at that moon in ocean-sky
  around the fire,
& I just stared deeper
  & finally got it
we're finally burning sadhouse down,
  watch her ghost away

aloneless

I woke up with a lot of you, and was most thrilled for Maggie Nelson and this copy of Bluets I had in my backpack, Kyle's, signed by the author, because what she'd read gives me the runs in my mind, and I was sitting there sweating in the corner of this strange room while she stood in the brights behind the orange & blue podium framed by the tall gold pipes of an organ. I sweated & didn't look anywhere, she faced me. But seeing her wasn't anything. She had a slight lisp which carried me through more maybe. She mentioned the root of the word etched- to be eaten. Etched in my heart. & I was thinking of all the things we've said, I've said & written over & over, and the songs, what they say,

  you own me

   you have all of me

    you can have all of me

   you have my heart

  you have a hold around my heart

                    so do you have two hearts in your chest? is that what makes you so loveable? (delicious)

After she read friends addressed me and I averted eye contact and said I don't know. Are you coming to have drinks? I don't know. They looked surprised, offended. I walked through the back of the gallery. Collages of matchbooks. Giant plastic windmills. A cyanotype of a bike, I yawned. And I calmed to chill outside in the sunset, where everyone smokes, and it's a smokefree campus but everyone's a poet or an adult so I smoke too & start hugging the women I love, and can't talk about what I'm thinking how I'd like to crawl inside of her mind & live there & have her pet me and this just from a brief forty-five minute rainy brain hug. We went to the river, same place I was with you when we missed Alice Notley & Jeff Mangum but didn't miss each other, and I sat on your flat rock, and I had a beer and watched the light on the water & thought about how I could write anything or read anything and that I wanted to be a knowledge tampon and a thought sponge and I wanted to vomit up beauty & honesty. & I did become very honest. Don't touch me, I can't be touched right now, okay please touch me I am ready for you. It got dark & we rode to the same bougie bar where I'd have the same sazerac at a different table, & you wouldn't be there, but the weather would be nearly same as when you were. Someone offered to buy you a drink but didn't. Someone asked what I was drinking, Jim with a Greek surname, & when I asked him for his surname he looked at me like I was too classy a broad no maybe he looked at me like I was old fashioned (which is at this time, what I was drinking) or British or old or young or beautiful or wasted. I didn't get a free drink, because he only wanted to buy me a pbr

                    
                 he asked me what I did in school & I laughed, and he said, why does that make you laugh and then I felt like crying.

Outside on the cement fence in front of the hotel. He said Maggie Nelson, if she'd wanted to, could have turned everyone in the room to weeping. Can you imagine having that power? he cried. I told him if he ever got the power to make us weep everyday to let me know & I'd move in & stay by his side forever.

He told me he schemes for love. And I said you fall in love for six-six-hours-at-a-time. That you told me once no one can ever break your heart. He doesn't remember saying that... two people have crossed his threshold. Physical pain at their nearness. And I said, I know you love me, I know I'm important to you, but why is it that I'm always checking up after you & you rarely ask after me? & that you're so easily distracted? He said that he & you, most of you, are better at communicating through the written word... which is an of course, so why even ask

                      

       It was a full moon & I was honest. I would have told you anything, if there was anything you'd want to know, and some did, and some didn't. I like what is conversational, the meaningful ease of listening to a lisped voice in a muted microphone, she being available through her writing & words & explanations & interrupting herself and the moment her voice failed at her last sentence. I still like what I do & how I do it, the true it, and I do take a compliment that I am such a fucking beautiful person because to me it means my heart still pumps gorgeous in my chest, that I am a whole. But I must also forget the lovesong cliches & the notion of being inside of someone else, or losing my organs to another, of being eaten. I have doors & they're open so many of them in my house that the crossbreeze sometimes makes my hair stand on end.